Why teach parts of speech?

   I shouldn’t have to and would prefer not to, but every fall, I end up needing to, by blatantly obvious necessity in student writing, review parts of speech to incoming ninth graders. Isn’t this a foundational skill?  Shouldn’t we be ready to compose more mature sentence patterns so we can move on to complex paragraphs? No. We always come back to eight weeks of parts of speech, but I am okay with that now because of four questions.

   Students can answer for themselves why we need an understanding of parts of speech. They know – whether their summer fun diminished their knowledge base or junior high language arts classes cover the skill inconsistently (based on their own teachers’ confessions) – that understanding words and word order in a sentence must come before mastering paragraphs and essays.

  This awareness of needing to know words and the various and valuable roles they play in our sentences comes through these four questions:

“Why is it important for a carpenter to know the difference between oak and pine?”

Students may not know that oak is a hard wood and pine is soft. You can push your thumbnail into pine and leave a mark. Can you imagine pine flooring if you had a dog? A carpenter needs to know the tools of the trade in order to make a product that will endure.

“Why is it important for a chef to know the difference among mushroom varieties?”

Someone will eventually conclude that the wrong kind of mushroom can be fatal. Chefs consider flavor and texture among other criteria for the mushrooms they select for dishes. If the option will not be compatible with other ingredients or palatable on its own, move on.

“Why is it important for a percussionist to know the difference among instruments?”

The tone of a percussion instrument adds just the right backdrop and back beat to a musical selection. Pace and emotion ride through each soft or firm strike from the mallet or stick. Make the wrong choice and not only will the listeners know, but the composer may be insulted. Get it just right and everyone is pleased.

“Why is it important for an author to know the difference among parts of speech? “

A-ha! The medium of the writer is words just as it is materials for the carpenter, ingredients for the chef and instruments for the musician. Authors are artists and the impact of the craft anchors itself in the words. Use the wrong words and the audience will know. You want words to endure, to blend well with other ingredients, and be pleasing to the ear. 

When the whole class reaches for their temple with their fingers to make that now-recognizable outward gesture to say their mind has been blown, you know you are on to something. “And that’s why we study parts of speech,” you say with a smile.  And so a new year begins.

Co-Teaching with Yourself

   Have you ever wanted to partner with another teacher and conduct a “stations” activity for your students?  What if you could address a half or even a third of your class on occasion and give very specific feedback or instructions?  If you do not have a colleague or an aide with whom to share your instruction, remember with recorded technology, you do.  You can partner with yourself.

   One concept of the “flipped” classroom model is to give students instruction at home and more hands-on practice and guidance in the classroom.  Practice and application get spread out to the most opportune parts of the day: independence outside of the classroom when students can demonstrate level of mastery with moderate challenge and inside class when support with the instructor is necessary.  The preparation time you invest to create an extension of your classroom “for home” can also have beneficial uses for splitting your class while you are all assembled.

   A split class or stations model allows a portion of the class to receive direct instruction from materials you have recorded or prepared freeing you up to interact with the other portion of the class in person.  Don’t want to consume class time with a lecture?  Pre-record it and set aside a section of the room for addressing this task while you engage learners in another task.  Then rotate, reflect, respond.  Studies show that not only is movement helpful for student retention of information, but so also is a diversified task list and more personal interaction from the instructor.  Let the video, podcast, or back-channeled feedback do some of the teaching and data gathering while you address the smaller group of learners who need more individualized attention and suddenly you are co-teaching with yourself. 

   Even better is the classroom model where after a few sessions of you dividing the instruction your students take ownership of the teaching partner and mentor themselves.  What if your co-teacher was a student who led a small group or a panel who instructed a prepared body of material? 

   The classroom is still yours to plan and assess, but the co-teaching elements of sharing the instructional load may be already at hand.  Let the trust build through experimentation and someday your students will be self-directed learners and evaluators too.

Co-Teaching pairing ideas:

  1. with co-curricular colleague
  2. with Special Education
  3. with cross-curricular colleague
  4. with guest
  5. with web tools (pre-recorded)
  6. with students themselves

Targeted Feedback for Peer Editing

During one of the breakout sessions at the 2016 winter #gafesummit, presenters Dan Cultra and Ben Hartman discussed how to help students draft in a way that specifically aligns to the rubric.  They ask, what if the document on which students started composing their sentences had the rubric on it for easy reference?  What if short samples from mentor texts, beyond the qualifiers of each “exceeds” or “meets” score, gave students a starting point upon which to build?  I wonder how often educators expect the teaching experience of directions to be enough to inspire writers to then turn to the blank page and fill it.  If we want students to show their mastery of the standards, we need to show them – and explain the meaning of – the standards prior to performance and evaluation.

Then, once the draft is complete, the peer editing phase is welcome to come into the draft. Sorry, students, the assignment is not “done” or “over.” You have, however, like a gamer, reached a valuable checkpoint.  Dan and Ben suggest a color-coded feedback where students know precisely that blue highlighted passages, for example, indicate where transitions could be strengthened. Or perhaps the red underline becomes the color for compliments on solid textual evidence.  The author composes a more rubric-sensitive draft and receives specific peer editing input, yet still has the responsibility to make the corrections.

Then, I thought of a further step towards targeted feedback that benefits students in need of skill-specific help involving the creation of simple folders within your Google Drive.  In your shared class folder, the one in which students can share their work with others, create skill-specific folders labeled for the rubric categories you will be evaluating.  Make a “Transitions” folder for students to put their drafts when they are seeking feedback on their use of transitions, an “Elaboration” folder for students struggling with details and so on.  Then, those in the class who have mastered this skill can provide targeted input to the student who needs it.  As the teacher, as you learn student strengths and weaknesses, you can move drafts to be picked up in the folder(s) most appropriate for their skill development… and encourage editors to comment on drafts through their strengths. Direct students to enable “suggesting” editing status for their proofreaders so the input remains the author’s choice and prevents re-writing.  

Jason Pinelli (jpinelli@naperville203.org), a fifth-grade teacher from my district attending the same breakout session, furthered this idea in wanting evidence of student participation.  “What if students could submit to me a transcript of their editing comments or a screenshot of the help they provided?” he asked.  Participants again paused for thought as we envisioned how more accountable yet still student-centered the proofreading and editing process can become.  Sure, you could go hunting through revision histories for evidence of valuable input, or you could ask students to collate it themselves as they go.

Consider the benefits to targeted feedback for peer editing. By the time students submit their final draft to you for evaluation, the product has been viewed and revised in a way that truly promotes student growth.

[This post is a re-print from my original 2016 blog which got deleted.]

Why I Teach Paragraphs

If we expect students to compose beautiful symphonies, why do we dictate in advance how many notes it should take?

Word count or page length should never be the measure of a quality extended essay. This is not to say that students are excused from high standards or stylistic expectations. Yet consider this: a poorly-acted movie does not improve with twenty extra minutes, a poorly sung melody does not improve with an extra chorus, and students and teachers will confess that a poorly-written essay does not improve with extra pages. If the skill isn’t there, the length doesn’t matter. So what good is expecting length to perfect an assignment when the more essential skill to measure is the quality of the writing?

This is why I teach paragraphs.

For the second semester in a row, a college student on opening night has asked me about my essay requirements. One would expect that question, but how each student asked surprised me. There was fear. Not fear of work or effort, but a nervous anticipation of superfluous formatting standards.

Student: How many words should our essays be?
Me: How many words do you need?
Student: No, like how many pages?
Me: How many pages will it take to say what there is to say?

I can recall as a student, and my adult students confess the same when I ask them, trying to write a teacher-assigned five-page paper and being finished after three pages. Not physical exhaustion, but intellectual; there was nothing more to say or elaborate upon and yet the requirement had not been met. So, like a good English major, I whipped up some fine marshmallow fluff, played with margins, and got my thoughts to stretch across five sheets of paper. But this was no longer the truth. Only the core of my labors and insight existed within this thick, candy-coated shell of lies… and I hated it.

The relief, visibly noticeable on the faces and postures of students when I tell them I require essays with solidly built paragraphs, warms me every time. Perhaps this is what we have longed for as writers: the freedom to dictate some of the criteria for “quality.”

The building materials we work with are words and punctuation and these create awesome, varied sentences, and sentences within a paragraph play a dynamic role in moving the reader into and through your claim. We should train our student writers to think in paragraphs. How many topics – as if they were rooms in a house – will be necessary to fully address this prompt or explore this research? Once you complete a thought, a room, or a paragraph, move on to the next one. Keep building until the house is finished. Maybe you do not need a mansion when a comfortable three-bedroom will do. Continue the training of sentence and paragraph development so poor writing skills do not occur at any length assigned.

At an English teacher’s conference last year, I introduced the concept of “Essays are like houses; paragraphs are rooms” and asked for a show of hands: “How many of you live in a three-bedroom home?” More than fifty percent of the audience raised their hands. When asked why they chose three bedrooms and not two or four, most replied three suited their needs just fine.

So, why can’t three body paragraphs be good enough? Sorry, grave diggers, the five paragraph essay is not dead. You don’t have to teach form and structure until you have nauseated your audience; simply invite students to compose how long they believe the message should be. Maintain realistic expectations for developed paragraphs and see what students produce.

When the movie is over, roll the credits. When the song is over, turn down the microphones, and when the essay has reached the point where the author has said what needs to be said, click save and be done. Trust that the number of paragraphs composed, the rooms of thought constructed to communicate new understanding, was just right. If you decide that students could have written more, introduce them to the power of revision!

The number of words or pages does not “make” an essay – it is the skill the writer employs. Counting words is your thing? Go ahead. Making the words count is mine.

Classroom Management Re-imagined

The desks in my second grade classroom, as a seven-year old fresh to the system first knew them, were bolted to the floor in rows. Black cast iron frames and wood tops marred with decades of wear welcomed me to the learnéd dictator’s realm where I dutifully sat in respectful silence to receive my education. Thankfully, those decades are gone, replaced with a new generation of learners eager to actively participate in their journey and teachers growing themselves professionally to keep up with the needs. Training for classroom management now includes social-emotional, technological, and pedagogical combinations never before seen which means getting the balance right matters for those claiming to make a difference.

              Re-imagining classroom management for today’s and tomorrow’s students will require careful observation and a willingness to invest in the necessary adaptations. Traditional practices that worked well for the start of a veteran teacher’s career may no longer apply to today’s changing landscape of attention demands. New teachers will need to reach beyond the methods textbook for ways to fully engage the unique students in front of them. Engagement is the new answer to management concerns; captivated students focused on a task they value no longer entertain ideas for escapes and diversions. Creating student-centered classroom experiences where missing out simply isn’t worth it brings productivity to a whole new level.

The following six areas of growth, born out of research, observation and successful implementation across many classrooms nationwide are ones students themselves are hoping all their teachers will embrace and own.

Tear down that wall!

              Boundaries command respect, but only up to a point; if overly enforced, boundaries end up damaging relationships. Disputes reflect power struggles as the two sides, instructors and distractors, compete for attention. The invisible curtain of authority sharply divides the front from the back of the room in a traditional class. One easy way to reduce or even eliminate this tension and win back an equitable classroom environment is to restructure the delivery points. Help erase the intimidation and hiding place in the front of the room. For the teacher who anchors behind the security of a podium or a desk, there will always be an increasing popularity for there to be an opposing back of the room where students can avoid responsibility. But for the teacher who moves and interacts with all students and creates access to all corners of the learning space, this opportunity to remain invisible or oppositional disappears.

              Defiance or resentment is not always based on emotion; sometimes, one has to ask what structures in the room are supporting mismanagement and resulting behaviors. With no true “back” of the room, all learners feel welcomed into a shared space where a compassionate teacher moves freely and without intimidation to students in need of support. Students feel recognized and legitimized because coming to the front of the room is no longer the only place to demonstrate mastery. No one rushes for the seat farthest from the front because instructional opportunities can occur anywhere.

Zoom in and zoom out

              For this more mobile instructor, two different yet essential cognitive functions should be happening while conducting class. Both relate to the purpose of a telephoto lens you often see at sporting events for photographers to get close ups. The ability to zoom in and zoom out between two layers of focus will improve classroom management and student engagement.

              The first strategy is all about observation and intervention. Teachers begin the session with a zoomed out view of the class as a whole. Senses are on alert for student needs and support, not a gotcha sniffer for trouble (more on that in a moment). Then, when an opportunity to assist or intervene with a student arises, zoom in with physical movement closer to the area of influence. Zoom in as close as the student’s desk and get on eye level before speaking. Stay present and all-in with this student while attending to their need. This personalized investment pays dividends in students knowing you care enough to not call them out in front of everyone – which, by the way, makes you both look bad – and ensures moments like this will remain respected by others. A teacher’s level of personal engagement often translates to a student’s level of academic engagement. When ready, zoom back out to the class as a whole and continue sensing the next opportunity to support and reengage.

              A second example of lenses refers to the dual dialogue tracks playing in one’s mind while teaching. The outer loop of conversation involves what one is actively speaking or listening to. Direct instruction, verbal cues, attentive listening and body language all happen within this area of activity. The second thought track internally plans ahead, asks questions, evaluates and informs the first active dialogue. This ongoing internal stream takes in observations and decides how to respond. When a lesson fails to reach the audience or its target, an inner voice tells you to make changes while you still can.

              Run the dual dialogue and the zoomed-in proximity strategy as part of your renewed management style and notice the positive difference it makes! Students who recognize that their teacher is not out to get them can relax, relate and respond more effectively.

Draft a co-greeter and other valuable roles

              One quick way to build relationships and community is to not be the only one doing it.

Recruit partners to join you in essential outreach tasks and teach empathy through immersion. Enlist a new co-greeter to join you in the hallway or near your door each day to welcome others to your room or just say hello to passersby. Noticing how you cheerfully recognize each person will help your student partner see others beyond an all-too-common comparative glance. Paying attention to how students walk, smile (or not) gives teachers insight into the overall mood of the day while there is still time to adjust instruction if necessary. Having a student with you helps break down stereotypes and assumptions. Today’s students are still very social, even if it looks like hand-held devices are the vehicle; valued connections with each other are not easily broken, so let’s help them out.

This paired welcoming role is not a punishment; kindness is not a consequence. If a student says, “It’s not my job,” you can say, “It’s everyone’s job.”

What other classroom tasks would benefit from having student participation and could provide learning opportunities about the needs of others? Can your students be one another’s reading tutors, writing coaches, practice speech audiences and accountability supports in small groups? Classroom management would become less of an issue for one teacher if the responsibility could be shared with multiple managers. Ultimately, of course, the teacher is the master. The “too many cooks spoil the pot” scenario comes to mind, doesn’t it? Holding everyone accountable for enforcement makes disruptions less about personal differences and more about the importance of preserving the sanctity of the learning environment for all.

Catch goodness

              Full-time policing of your classroom can be an exhausting occupation and will rob you of enjoying the process of facilitating instruction. Did you really enter this profession to collar wrong-doers? Instead of trying to catch the next deviate, be on the lookout for goodness.

              A “praise, not prowl” approach to the students on your roster sees the potential good in people. That’s a welcoming feeling to be out from the eye of scrutiny. Be on the lookout for students who exhibit compassion, who contribute to class in meaningful and unexpected ways. Be ready to acknowledge those who exceed expectations and students will make greater efforts to measure themselves accordingly.

              An essential skill to expect more from yourself (the adult in the room) than from your students is how to de-escalate yourself. Model how to self-manage and control your emotions, how to put stressors and offenses in perspective, and how to handle disagreements with others. Students do not come pre-loaded with this desirable trait of maturity, so be prepared to patiently talk students down from anger, frustration, aggression and defiance. Having the conversation in calm tones about returning to the valuable task at hand keeps the reason for student self-control about the community and why their connected engagement matters.

Create a shared, gradual plan for behavioral intervention

              The goal of any disciplinary intervention is to return the student to an active learning role as soon as possible. Three very important factors will help this process run smoothly.

  1. Develop a plan with students offering multiple steps. The first violation should not result in the most severe consequence. Allow students tiers ranging from a brief chat to a short walk before involving a detention or a dean. De-escalation strategies keep choices in students’ hands and away from being subject to teacher emotions. If students have helped create this system, they will be more likely to agree to and respect its use.
  2. Honor the individual without shaming or embarrassing them. Communicating your care for the student’s emotions keeps your rapport professional and intact.
  3. Preserve the integrity of the learning environment. The key to this intervention is to highlight the importance of everyone’s role in the community. Will your words say, “What we are doing today is important and your part in it matters.”? Or will students hear, “We’ll be fine without you, you might as well go somewhere else.”? Think about the end result of this conversation as you guide the student back to alignment with the shared expectations for all.

Make classroom spaces conducive for inquiry and discovery

              A classroom’s physical layout may have much to do with how students manage themselves. The more students see themselves reflected in the décor and design, the more ownership they feel which results in more meaningful contributions to everything else. Remain attentive to this insight as students make requests for “Can we have…?” or “Can we do…?” as statements like this reveal the start of trust.

              When observers come to your learning space, they (hopefully) see two things: the physical layout and the community dynamic. One influences the other in an ever-cycling process of growth or decline. Sure, you can master your content, but will that come at the sacrifice of knowing and adapting to your students’ needs? Make the adjustments to the space and the lesson plans together instead of alone to create the most engaging learning environment ever! Students who help shape their daily experiences instead of simply receiving instructions on what to do are more likely to see the task through – even if they encounter troubleshooting along the way.

              Classroom management must be re-imagined to address the learners in front of you today. They are not who they were last year and will be entering a world no one can fully predict. The technology available, the interpersonal communication skills necessary, and the wider audience to which students can express their new understandings combine to facilitate learning in powerful and meaningful ways. Students who connect with each other, with resources and with a purpose produce amazing results. In your room, because their voices are heard, their needs and dreams are transparent, and their trust has been won, they will succeed without interruption. You are not alone in the mission to manage your class; the best resources are sitting all around you.

Hello again!

Thank you for visiting Edublogs.org. My first blog account here “What the Teacher Learned Today” ran from 2015 through 2021 and then *POOF* got deleted. So, I appreciate your patience as I re-assemble and either re-post or create anew the engaging educational content you came here to discover.

If you are an educator, I encourage you to begin a blog yourself! Document your thoughts, your “a-ha!” discoveries, tragedies, trials and triumphs. We are an audience of lifelong learners ourselves and this environment is a safe and supportive place to move yourself forward. Reflect, laugh, and learn.